ISSN: 2045-4813 (print) • ISSN: 2045-4821 (online) • 3 issues per year
This issue of
The maritime refugee subject is constituted through the mobility of drift. This article interprets the representation of drift mobilities in Nam Le's 2008 story, “The Boat,” lê thi diem thúy's 2003 novel
The Solomon's Temple in São Paulo goes beyond a house of worship. On its grounds, visitors can explore the Biblical Garden, a themed space for an immersive experience into performed biblical narratives centered around the Exodus of the Hebrews, which relies on the visual repertoire present in successful biblical telenovelas produced by RecordTV, a major TV channel owned by a neo-Pentecostal Christian denomination. In dialogue with the mobilities turn in the social sciences and the materialist turn in communication studies, this article proposes an ethnographical account of the Biblical Garden tour. Crossed by globalized flows of images and people, objects, and narratives, the tour puts together several representation technologies to offer “a piece of the Holy Land in Brazil.” By combining religious cosmologies, tourism practices, and entertainment marketing tactics, the Biblical Garden became strategic in strengthening UCKG's leading role in what ultraconservative sectors name a cultural war.
This article explores some eschatological facets of vehicle/road ecologies. Hitchhiking, as a disappearing form of travel in the twenty-first century (at least in the Western world), serves as a memento mori metaphor for our post-COVID era. There are plenty of death-memory features in auto-stopping. From vanishing hitchers through to the uncanny aspects of fear, danger, environmental concerns, and the search to escape social constraint through adventure, memento mori lurks/lingers near spontaneous roadside lift solicitation. As an art-historical and theological notion, it is inherently material and incorporates both eschatology and remembering. As a pragmatic act of embodied imagination, hitchhiking is itself increasingly memorialized as an endangered transgression and dying-out form of displacement. Hitchhiking is thus a socio-spatial memento mori for an epoch during which it is increasingly presented “virtually” in re-representational forms. I therefore propose that this phenomenon is a simulacrum, offering topical allegorical
This text explores how the introduction of (semi)autonomous cars fundamentally transforms traffic accidents. Using examples of recent crashes, the article examines how edge cases, accidents, and machine learning are intertwined and produce “infrastructural violence.” Following the example of the suspension of Cruise in 2023, the text investigates edge cases, which may not coincide with actual collisions but necessarily raise their probability, because they enable constant optimization through machine learning. I argue that it is therefore necessary for mobility studies to go beyond existing frameworks in order to investigate the epistemology of accidents of self-driving cars and to scrutinize the transitions from human perception to big data, machine learning, and sensor-based world modeling.
This article discusses four recently published books
China's all-in embrace of high-speed rail transportation has put trains back in the global discourse, reshaping international and national imaginaries. Incorporating the Chinese case can substantially reshape our understanding of rail mobility can be and ought to be. The nationwide transformations wrought by Chinese rail offer mobility studies an opportunity to reengage with how mobility shapes community at the national scale, and the central role of the state highlights the peculiar connection between rail imaginaries and an interventionist state—paralleling a striking renaissance of rail imaginaries in Europe and the United States. As the “China Model” circulates across the globe and Chinese rail technologies proliferate, Chinese rail mobility will remain both theoretically and empirically significant.