ISSN: 0967-201X (print) • ISSN: 1752-2285 (online) • 3 issues per year
Following the call by UNAIDS in 2006 to involve people living with HIV (PLHIV) in treatment programmes, expert clients were recruited to provide services within healthcare settings as volunteers alongside paid health workers. Swazi law requires employment contracts for anyone working in a full-time capacity for three months, complicating the status of expert clients. This article traces the genesis of the volunteer framework used to engage PLHIV in the provision of HIV care in Swaziland and describes how the quest for PLHIV to be involved coupled with donors’ promotion of the Greater Involvement of People Living with HIV/AIDS (GIPA) principle have together resulted in PLHIV serving as low-cost workers, disempowering the very people GIPA was meant to empower. I call for review of GIPA-based policies and a paradigm shift regarding a non-medically trained cadre of workers in an era of acute health-worker shortages in resource-limited countries hard hit by HIV.
This article explores local agency in development anthropology, a prominent form of applied anthropology that has encouraged reflection on the practice of anthropology itself (
In Ladakh, north-west India, a popular narrative of the region’s inhabitants as spiritually and ecologically enlightened combines with national sustainable and participatory development policies to produce a distinctive character that underpins the local administration’s development strategies. These strategies emphasise ‘traditional’ values of cooperation, simplicity, and ecological and spiritual harmony as the way to achieve culturally sustainable development and emotional well-being. However, obstacles to development appear when normative principles of sustainability and ecological wisdom encounter local cosmology, hierarchy and perceptions of expertise in society. In this article, I reflect upon my fieldwork and previous regional ethnographies to consider possible frameworks for evaluating well-being as an indicator of culturally sustainable development that include concepts of cosmology and expert protection.
As participants in the Two Row Wampum Renewal Campaign, we explore our experiences as allies and activist anthropologists in a collaborative venture that involved participants from Native nations, academia and local communities. The campaign included local, regional and international events aimed at re-enlivening a 400-year-old treaty espousing mutual respect and balance between Europeans and the Haudenosaunee. The highlight of the symbolic renewing of the treaty culminated in a journey down the Hudson River with Native and non-Native paddlers embodying an ally relationship as they paddled side by side and were followed by ground crews, the media and thousands of onlookers. The campaign, challenged by some anthropologists as being based on a ‘fake’ treaty, demonstrated the successful and dynamic components of a multicultural movement. It inspired us to reflect on the current state of activist anthropology and see the intersections with decolonisation theories, indigenous anthropology and pedagogies of engagement.
The body as an anthropological nexus of sociocultural norms and conventions has been discussed at length in the humanities and social sciences. However, within the worlds of industrial design, an important player influencing an understanding of the body within a design process has been neglected and that is the industrial designer. Our main thesis considers designing as an anthropological, sociocultural and physical praxis, in the midst of which stand person(s) engaging within their material environments. We argue that, as an interdisciplinary dialogue with anthropologists and designers alike, the industrial designer could pursue a broader perspective than the classic techno-practice perspective, which deliberately detaches the social qualities of human action with the aim of changing user behaviour through the use of medical products. Instead, we propose an understanding of industrial design practice(s) that considers the improvisational and interwovenness of peoples and practices and what this means for attuning industrial design practices accordingly.